Happy Halloween!

I would like to wish all of my readers a very happy and safe Halloween!

Abbott and Costello Star in "Hold That Ghost" (1941)

The legendary duo of Abbott and Costello mastered the horror-comedy genre in many film during the 1940's and 1950's, including their many "meet the monsters" encounters with Frankenstein, The Mummy and The Invisible Man, among others. Before the monsters entered the picture, Abbott and Costello had to contend with spirits in Hold That Ghost, even though the only real spirits around were housed in glass bottles. The duo portray Chuck and Ferdie, two blue collar guys who are trying to find jobs that they can maintain for a reasonable length of time. They start out as waiters, but are promptly fired and then work as attendants at a service station when fate intervenes. While servicing a vehicle owned by gangster "Moose" Matson (William Davidson), the police spot Malone and a car chase ensues. Chuck and Ferdie happen to be in the car when Malone speeds away and are then fired upon by the pursing officers. The chase ends fatally for Matson, but Chuck and Ferdie end up inheriting his belongings since they were the only ones with him when he died (as per his instructions).

The only property Matson appears to own is a run down tavern, where Chuck, Ferdie and several other people find themselves stranded after their taxi driver speeds away with their luggage. They have no choice but to stay at the tavern since a serious storm is dumping flooding rains down upon them. Since there is no electricity, they make the most of candles and a gas stove to stay comfortable. Before long, some members of their party go missing and strange things begin to happen to Ferdie, who believes someone is trying to kill him. Ferdie is actually the target of gangsters who plan to dispose of him and Chuck in order to ransack the tavern and find the money that Matson always joked was "in his head." The mobsters pretend to be ghosts and play tricks on poor Ferdie, who is beside himself with fear, but no one seems to believe him, which places them all in danger.

Hold That Ghost is highlighted by the performance of Lou Costello, who showcases his immense comic talents as the hapless Ferdie, who is nearly scared to death during a series of events involving owls, "ghosts," secret passageways and a candle that appears to move all by itself. The film features some of the late comedians' best work. In addition, the supporting cast has an impressive horror pedigree. For instance, Evelyn Ankers, who portrays Norma Lind, appeared in the classic Universal monster films The Wolf Man (1941) and Son of Dracula (1943). Her character is paired with Doctor Jackson, portrayed by Richard Carlson, who played the lead role in the original Creature from the Black Lagoon (1954).

Hold That Ghost is an often amusing and well acted film that benefits from the outstanding set design depicting a run down tavern that easily doubles as a haunted house. Adding to the overall mood is the sparse candlelight, which produces ominous shadows, as well as the haunting music by H.J. Salter. While comedy trumps horror, as you might expect when Abbott and Costello are involved, Hold That Ghost is a sometimes suspenseful and atmospheric throwback to classic haunted house movies and is always fun to watch around Halloween.

Animation Spotlight: "Hotel Transylvania" Channels Classic Movie Monsters

"I bid you welcome"

Many classic monster movie characters are brought to live via 3D animation in the recently released film Hotel Transylvania. The usual suspects, Dracula, Frankenstein, a mummy and a werewolf are featured, as are some unusual suspects, including Bigfoot, The Blob and a giant tarantula. The majority of the characters are based on monsters who appeared in motion pictures from the 1930's through the 1950's, but some are taken from folklore or created from general representations, such as a Cyclops and a human skeleton. The monsters are all guests of Count Dracula, who is throwing a birthday party for his "young" daughter, Mavis (who is about to turn 118).

The screenplay, by Peter Baynham and Robert Smigel, is clearly targeted at the younger demographic with its message of tolerance and acceptance, but older viewers who are familiar with the characters will likely appreciate their representations and smile at familiar references to their legacies. The central plot revolves around Dracula (Adam Sandler), who is afraid that his daughter, Mavis (Selena Gomez), will leave the nest once she turns 118. He goes to great lengths to keep her close to him, especially since he is a single parent and is extremely protective. However, his efforts are sometimes deceptive, which causes problems between father and daughter when the truth is finally revealed. Adding to Dracula's misgivings is the arrival of a young man, Johnny (Andy Samberg), who is human and somehow finds his way into the "monsters only" hotel.

Dracula tries his best to make Johnny look like a monster and soon turns him into a mini-Frankenstein, so no one will realize that their monster ranks have been infiltrated. Adding to the Count's problems is the mutual attraction between Johnny and Mavis, who may be falling in love for the first time. These problems are difficult for a control freak like Dracula to handle, leading to many amusing moments. While the outcome of the various storylines are not difficult to figure out, the characters are well written, likable and beautifully drawn.

Hotel Transylvania is like heaven for a monster movie geek, as dozens are shown throughout the film. Among my favorites are The Fly (Chris Parnell), who is the hotel's fitness coordinator and, as you might expect, keeps throwing up on himself, The Invisible Man (David Spade), who is the victim of several practical jokes, and Quasimodo (Jon Lovitz), the hotel chef, who tries to cook Johnny when he discovers that he is a human. In addition, the animation is top notch and the use of lighting, particularly in the castle corridors, is reminiscent of classic horror movies and of the old View Master slides (for those old enough to remember them). Hotel Transylvania is a solid choice for Halloween viewing for parents/guardians and their children, who will all find something to smile about for the duration.

Movie Snapshot: "Here Comes the Boom" - Starring Kevin James

Kevin James is a very likable actor. He is also an imposing one. Having never watched one of his previous films or the popular television series The King of Queens, I did not realize that his physique is similar to that of a professional wrestler, which makes his role in Here Comes the Boom appropriate. James portrays Scott Voss, a biology teacher who wants to save the school's struggling arts programs by becoming a Mixed Martial Arts fighter, with the help of a former fighter, Niko (Bas Rutten), who happens to be a student in Voss's citizenship class. Since Voss is already bored with his job (but seems to be competent and well liked), he embraces a new challenge, but does not realize the daunting task that he is about to undertake. To his credit, Voss does not seem intimidated by his more experienced opponents and soon makes a splash in the world of MMA, leading up to a fight where, even if he loses, he will earn $10,000. However, after placing himself at risk in order to earn money for the endangered programs, he is dealt a blow that forces him to train to actually win the MMA match against a fierce opponent. Without the larger payout, the programs may be cut. 

Here Comes the Boom is an entertaining film that is populated with likable and talented actors, including Henry Winkler, Salma Hayek and the aforementioned Kevin James. While the outcome of the story is not necessarily difficult to determine, there are a few twists along the way that may keep viewers interested. Overall, a decent effort that offers a few genuine laughs.

Weekend Box Office Estimates: October 26-28, 2012

Argo (Warner Bros.) managed to snag the top spot at the weekend box office in its third week of release. The fact based thriller grossed just over $12 million during the three day frame, which was enough to best three newcomers; Cloud Atlas (Warner Bros.), Silent Hill: Revelation 3D (Open Road) and Fun Size (Paramount), which landed in third, fifth and tenth place, respectively. Argo has already earned more than $60 million and looks to have staying power with moviegoers, which should help to translate into plenty of awards season attention. The number two film, Hotel Transylvania (Sony/Columbia), is also holding up very well in its fifth weekend. The animated film, featuring Adam Sandler, earned $9.5 million and its cumulative take now stands at over $130 million. The aforementioned Cloud Atlas, a nearly three hour time traveling epic, nabbed just over $9.0 million, but is playing in far fewer locations than Argo or Hotel Transylvania. As a result, the film had the highest per screen average of any entry in the top ten.

A batch of Halloween related films populated several top ten slots. In its second weekend, Paranormal Activity 4 (Paramount) landed in fourth place, with just over $8.5 million, Silent Hill: Revelation 3D earned about $8.0 million, which was good enough for fifth place, Sinister (Lionsgate/Summit), in its third weekend, captured the number eight spot, with just over $5.0 million, and finally, the new film Fun Size was dead on arrival, with about $4.0 million and a tenth place finish.

Here are the Top Ten Weekend Films (numbers are in millions):

1. Argo - $12.4

2. Hotel Transylvania - $9.5

3. Cloud Atlas - $9.4

4. Paranormal Activity 4 - $8.7

5. Silent Hill: Revelation 3D - $8.0

6. Taken 2 - $8.0

7. Here Comes the Boom - $5.5

8. Sinister - $5.1

9. Alex Cross - $5.1

10. Fun Size - $4.1

Movie Snapshot: "Alex Cross" - Starring Tyler Perry

Photo Credit: Summit Entertainment

Besides a brief role in the most recent Star Trek movie, I have little knowledge of Tyler Perry's films, which usually feature the imposing actor portraying Madea in a series of comedic efforts. In Alex Cross, Perry is thrust into a more dramatic and action filled role as the titular detective who is pursuing a deranged and physically intense killer known as Picasso (Matthew Fox). Their game of cat and mouse results in a very personal loss for Cross, who becomes more like Picasso than he would ever admit and, as a result, he will do whatever is necessary to bring the killer to justice. There is also someone lurking behind the scenes who hired Picasso and is ultimately responsible for arranging the murders of several people and who poses an ongoing threat to Cross. 

Alex Cross held my attention for the 100 plus run time. However, the film could have easily been shortened by eliminating many needless characters who bring nothing to the film. In other words, the screenplay, by Marc Moss and Kerry Williamson, is bloated and also becomes convoluted in the final thirty minutes. Tyler Perry is perfectly adequate as the lead character, but the change that he undergoes throughout the film does not ring true, although I understand what motivates him to exact revenge on Picasso, who is played very well by Matthew Fox. Fox is physically intimidating and does not go over the top in his portrayal, which could have been easy to do. His performance is, perhaps, the strongest part of the film. Alex Cross is based on the character created by James Patterson. I have not read the books featuring the title character, so I cannot speak to how faithful the film is to the source material, but Alex Cross is a decent effort that is rarely dull and sometimes fascinating.

Frankenstein: The Legacy Collection (DVD)

One of the greatest monster franchises in history owes a great debt to Mary Shelley, Boris Karloff and James Whale. Shelley for her original book which inspired the films, Karloff for his incredible performance as the gentle giant/fearsome monster in three movies, and James Whale's direction, which brought not only the Frankenstein Monster to life, but his Bride, too. Jack Pierce should also be given considerable credit, since he co-created the amazing make-up, with Whale, that resulted in one of the most recognizable and iconic images of the past eight plus decades.

Five Frankenstein films are included in the Frankenstein: The Legacy Collection box set, which also boasts a plethora of special features that pay homage to the unforgettable series. James Whale directed the first two films; Frankenstein and The Bride of Frankenstein, while Karloff appeared in the first three films, including Son of Frankenstein, as the titular character. Karloff also appeared in House of Frankenstein, but not as the monster. In addition to the fantastic make-up, the foreboding atmosphere created by James Whale, and Karloff's sometimes heartbreaking performance, the screenplay, by Francis Edward Faragoh and Garrett Fort, is outstanding and cerebral in the original film. The Bride of Frankenstein and Son of Frankenstein also feature excellent screenplays, courtesy of William Hurlbut & John L. Balderston, and Wyllis Cooper, respectively.

The intelligent writing helped to balance the science of creating life with the more ominous overtones of a creature that possesses the brain of a criminal, instead of a so-called normal brain, which was what Henry Frankenstein (Colin Clive) intended. However, his assistant, Igor (Dwight Frye), made a terrible mistake when startled during a robbery at a medical clinic. Of course, when you go about trying to create life, there are bound to be problems, especially from those individuals who think that God is the only one who should have that job. Indeed, there are social and religious components to the film which separate it from its counterparts in the horror genre. In the original film, Henry Frankenstein was a genius, but was also a bit mad, which is typical. Had he known the brain he was using for his creation was abnormal, he would not have gone ahead with the procedure of bringing the being to life. But once the genie was out of the bottle, Henry wanted to try again by making a mate for the lonely and misunderstood creature. Always remember "Alone....Bad, Friend.....Good."

While there is much to like about the first three films, the last two, Ghost of Frankenstein and House of Frankenstein, are not nearly as good. However, the screenplay for Ghost of Frankenstein, by Scott Darling and Eric Taylor, starts off strong, but loses momentum as the film moves along and completely falls apart during the final scenes. On the other hand, House of Frankenstein is a complete mess and must have only been made to generate money for Universal. While it is always great to see Boris Karloff and Lon Chaney Jr. on screen, there is not much to like about this mishmash that includes appearances by Dracula (John Carradine), Chaney as The Wolf Man, and Karloff as the evil Dr. Niemann, who attempts to revive all of the aforementioned monsters for his own personal gain.

It is difficult to decide whether Frankenstein or Bride of Frankenstein is the better film. I think they are about equal. Both benefit from Whale's outstanding direction, Karloff's emotional multi-layered performances, terrific atmosphere and solid work from Colin Clive. Of course, Bride of Frankenstein features the great, albeit brief work, of Elsa Lanchester, as the Bride. The supporting cast, including Una O'Connor and Dwight Frye are also terrific. While Son of Frankenstein was not as widely acclaimed, I thought the vast majority of the film was well conceived, but I was not impressed with the abrupt conclusion, nor how the monster was revived for future installments.

The special features include the excellent documentary "The Frankenstein Files: How Hollywood Made A Monster", commentary by film historians, a poster and photo gallery, original trailers, the short film, "Boo!," a behind the scenes featurette hosted by director Stephen Sommers, and another documentary, "She Alive!," featuring the Bride of Frankenstein.

I always try to reacquaint myself with one or more of the Universal Monsters every Halloween, when it seems more appropriate to watch these classic films that never seem to lose their appeal. Of course, when supremely talented people are involved, magic can be made and Frankenstein is a perfect example.



Halloween DVD Round-Up: Neil Gaiman's "Coraline" "The Ninth Gate" - Starring Johnny Depp and "Silent House" - Starring Elizabeth Olsen

Coraline (2009)

The Basics: A stop motion animated fantasy film featuring elements of horror and based on Neil Gaiman's book, of the same name. Young and adventurous Coraline finds herself bored with her new surroundings and basically ignored by her parents. When she explores her new home, she finds a secret passageway that leads to an alternate world, where she can have anything she wants, courtesy of her "other" parents, who, strangely enough, have buttons for eyes. While the alternative world may be enticing, Coraline soon discovers that it may be too good to be true, but it may be too late to save herself and her real parents.

Reasons to Watch: The animation is beautifully drawn and presented. The dark, foreboding atmosphere is appropriate and adds greatly to the film by creating an unforgettable mood. The screenplay, by Henry Sleick, which is based on Gaiman's book, is creative, intelligent and conveys an important message to younger viewers about being happy with what you have because it may be better than any alternative.

The Bottom Line: During the first half of the film I was annoyed by Coraline's almost constant complaining and her mistreatment of others. However, there is a reason she acts the way she does and that plays into her overall journey, which allows her to learn a great deal about herself, as well as others in the process. The subject matter should appeal to both children and their parents, who might want to heed the important messages being conveyed.

The Ninth Gate (1999)

The Basics: Roman Polanski directed and co-wrote this low key, slow paced thriller starring Johnny Depp as Dean Corso, a used book dealer, who is hired by the eccentric Boris Balkan (Frank Langella), to validate a copy of his book, The Nine Gates of the Kingdom of Shadows (a fictional book), which may have been written by Lucifer himself. Along the way, Corso is followed by mysterious men and women and must deal with other eccentrics who possess additional copies of the book. Even though Corso's life appears to be in constant danger, that never seems to deter him from doing his job. Of course, there is a lot of money at stake if he is successful.

Reasons to watch: Johnny Depp is always a treat to watch. In this instance, he appears to be struggling to keep a straight face in many scenes, as Corso must deal with the bizarre behavior of almost everyone around him. Thankfully, some of the music allows the mood to remain dark and mysterious. In addition, the beautiful European setting is a pleasure to behold and also helps to enhance the mood. Oh, and Frank Langella plays a great villain.

The Bottom Line: An overly long and sometimes tedious film that might have worked best as a straight thriller/horror effort. What I expected is not what I got, but The Ninth Gate is enjoyable in a quirky kind of way and the performances are generally good, if tongue in cheek. Viewers who like thrillers but do not enjoy being scared may want to give this one a try.

Silent House (2010)

The Basics: A young woman, Sarah (Elizabeth Olsen), assists her father and uncle with fixing up an old house in the country. After hearing strange noises, Sarah informs her father, who investigates and then goes missing. Sarah runs for help, only to meet up with her uncle, who takes her back to the house to look for her father. Shortly thereafter, Sarah witnesses her uncle being dragged away by an unknown man. She then tries desperately to find her way back out of the well secured house to get help.

Reasons to Watch: Elizabeth Olsen delivers a solid performance as a terrified young woman who struggles to escape from an unlikely prison. Directors Chris Kentis and Laura Lau create a tense, moody and foreboding atmosphere.

The Bottom Line: The first half of Silent House is well executed and provides a few frightening moments. However, as Sarah learns the truth, the contrived revelation serves to greatly diminish the film, which may leave some viewers feeling cheated.

Movie Snapshot: "Taken 2" - Starring Liam Neeson

The plot may be familiar, but that does not blunt the excitement of Taken 2, the follow-up to the very successful 2009 action thriller, starring Liam Neeson. The sequel features the return of the three central figures from the first film; Bryan Mills (Liam Neeson), his ex-wife, Lenore (Famke Janssen), and their daughter, Kim (Maggie Grace), who vacation in Istanbul, where Bryan has just finished a work assignment. However, their time together proves challenging, as relatives of the men who kidnapped Kim in the first film are seeking revenge on Bryan, who left a trail of dead bodies in his effort to save his daughter. The father of one of the casualties, Murad (Rade Šerbedžija), plans to kidnap and kill Bryan, Lenore and Kim, but his plan is hindered by the ever cautious Bryan, who saves his daughter, but is abducted, along with Lenore. It is up to Kim to save her parents and thankfully, she has inherited some of her father's skill and determination, which results in several very exciting scenes during the second half of the film, leading once again to a pulse pounding conclusion.

The screenplay, by Luc Besson and Robert Mark Kamen, is efficient, exciting and allows for some character development. Kim has a new boyfriend, which has the ever vigilant Bryan concerned and there are hints that Lenore and Bryan might rekindle their romance. Director Olivier Megaton has crafted a well paced thriller that allows Neeson to showcase his considerable talents, including playing an action hero in late middle age. Clearly, Neeson can do anything well and he once again carries the film from start to finish. Yes, it may be more of the same, but it works very well. I wonder is Fox and Universal would consider a crossover between Taken and the Bourne franchise? Imagine Liam Neeson and Matt Damon, as father and son, kicking ass and taking names all over the world? Sounds like a winner to me.

Halloween Idea for Younger Readers: "ParaNorman" books - Based on the Hit Movie

Younger members of your household who enjoy Halloween will want to check out three ParaNorman books, which are based on the recent hit movie, of the same name. The novel ParaNorman (Hatchette), by Elizabeth Cody Kimmel, is based on the film and contains terrific illustrations throughout, courtesy of Ross Stewart. The story centers around young Norman Babcock, who can see and communicate with the dead. While other children may be afraid of this "gift," Norman takes it in stride, partly because he loves zombie movies and thinks it is cool. However, Norman takes a great deal of grief because he insists that he can commune with the dead, which draws the attention of a school bully, Alvin. Unfortunately, Norman takes abuse at home to, from his sister, Courtney and even his Dad, who has little patience for such "nonsense." However, Norman's abilities are soon to be put to good use after his Uncle Prenderghast dies and leaves him with the responsibility of keeping a witch from destroying their town. As zombies invade the town of Blithe Hollow, Norman runs interference between them and a very angry witch who may finally exact revenge on everyone for what happened to her centuries earlier. Norman's much maligned abilities may save the town from disaster.

Many children feel like outcasts at one time or another and attending school can be especially challenging. Elizabeth Cody Kimmel conveys those emotions through Norman perfectly and readers will likely identify with him, whether they are interested in supernatural material or not. In addition, Kimmel populates the story with other quirky characters who we have all known at one time or another and they each add something significant to the story. The characters encourage readers to celebrate the differences in others, instead of casting them out. Two other books, ParaNorman: Meet the Ghosts and ParaNorman: Attack of the Pilgrim Zombies take certain story ideas from the novel and are much shorter, but feature color illustrations throughout. They are also geared towards children who are just learning to read.

ParaNorman, the novel and the movie, can be enjoyed equally by children and their parents/guardians. The gentle lessons and ample supply of humor make for an easy, fun and enjoyable read. Of course, it helps that the title character is so well rounded that readers may feel empathy for him one moment and then marvel at his abilities soon thereafter. He is a very likable and relatable character who takes center stage in a supernatural effort that is perfect for the Halloween season.


You can read my thoughts on the ParaNorman movie by going here.

For Halloween DVD ideas for children and teens, go here.

Giveaway! Win a Copy of "Kicking & Dreaming: A Story of Heart, Soul and Rock & Roll" by Ann & Nancy Wilson

Updated 11/03/12 - The giveaway has ended. Congratulations to Ned M. from Racine, WI, Lawrence C. from Bethesda, MD and Debra F. from Ames, IA!

PopCultureGuy, in conjunction with It Books and Harper Collins, would like to give three lucky readers an opportunity to win the recently released book Kicking & Dreaming: A Story of Heart, Soul and Rock & Roll by Ann & Nancy Wilson, with Charles R. Cross

Synopsis: Two sisters. Two voices. One Heart.

The mystery of "Magic Man." The wicked riff of "Barracuda." The sadness and beauty of "Alone." The raw energy of "Crazy On You." These songs, and so many more, are part of the fabric of American music. Heart, fronted by Ann and Nancy Wilson, has given fans everywhere classic, raw, and pure badass rock and roll for more than three decades. As the only sisters in rock who write their own music and play their own instruments, Ann and Nancy have always stood apart—certainly from their male counterparts but also from their female peers. By refusing to let themselves and their music be defined by their gender, and by never allowing their sexuality to overshadow their talent, the Wilson sisters have made their mark, and in the process paved the way for many of today's female artists.

In Kicking and Dreaming, Ann and Nancy, with the help of critically acclaimed and bestselling music biographer Charles R. Cross, recount a journey that has taken them from a gypsy-like life as the children of a globe-trotting Marine to the frozen back roads of Vancouver, where they got their start as a band, to the pinnacle of success—and sometimes excess. In these pages, readers will learn the truth about the relationship that inspired "Magic Man" and "Crazy On You," the turmoil of inter-band romances gone awry, the reality of life on the road as single women and then as mothers of small children, and the thrill of performing and in some cases partying with the likes of the Rolling Stones, Stevie Nicks, Van Halen, Def Leppard, and other rock legends. It has not always been an easy path. Ann struggled with and triumphed over a childhood stutter, body image, and alcoholism; Nancy suffered the pain and disappointment of fertility issues and a failed marriage but ultimately found love again and happiness as a mom. Through it all, the sisters drew from the strength of a family bond that trumps everything else, as told in this intimate, honest, and uniquely female take on the rock and roll life.

Throughout their career, Ann and Nancy have never found an answer to the question they are most frequently asked: "What is it like to be a woman in rock and roll?" Kicking and Dreaming puts that question to bed, once and for all.

To enter the giveaway, send an e-mail to don.sauer@gmail.com, place Kicking & Dreaming in the subject line and tell me why you like/love Heart. The contest begins October 24, 2012 and runs through October 31, 2012. Winners will then be drawn at random and notified shortly thereafter and will need to provide a shipping address at that time.

Good luck and thank you for reading PopCultureGuy!

Open to U.S. residents only. Must be 18 years of age or older to enter.


"Paranormal Activity 4" - Same Old, Same Old

Horror movies are supposed to be scary, right? The once terrifying Paranormal Activity franchise now relies on variations of the original concept, which allows viewers to telegraph what is going to happen and, as a result, they are no longer frightened. The fourth installment is not nearly as good as the previous three. The characters are mostly unlikable and lack any sort of common sense and the screenplay feels very tired.

Paranormal Activity 4 centers around a new family consisting of Holly (Alexondra Lee) and Doug (Stephen Dunham), a married couple, and their two children, the teenage Alex (Kathryn Newton) and the much younger Wyatt (Aiden Lovekamp). Alex has a boyfriend, Ben (Matt Shively), who helps her adjust to problems that begin when the family temporarily takes in a young neighbor boy, Robbie (Brady Allen), after his mother is rushed to the hospital. Robbie is a rather creepy child who enjoys walking around the house at all hours of the night, but otherwise seems harmless. Unfortunately, his imaginary friend (actually a demonic force), Toby, is not so harmless. Once Robbie arrives, Toby does too, and causes all sorts of problems for the family, such as turning on electronics, making loud noises and, of course, trying to kill them.

Alex understands that something is not right with Robbie and tries to talk to her clueless parents, but they think she is being silly, despite the fact that they each have experienced unexplained events. Ben and Alex try to determine what is really going on and set up cameras around the house to capture what is happening. Without understanding the nature of the danger they face, a series of harrowing events begin to plague the family, but it may be too late to save themselves, especially once Robbie's mom, the malevolent Katie (Katie Featherston, who appeared in the first three films) returns to the neighborhood. As it turns out, she has a connection to Wyatt.

The lack of original ideas and the absence of genuine scary moments greatly diminish Paranormal Activity 4. However, I did appreciate two nods to the 1980 film The Shining, which is based on the Stephen King novel. In any event, this low budget film will earn much more than its production costs, so expect more sequels as long as the Paranormal Activity franchise remains profitable. Perhaps future installments should focus on the mysterious cult members who have been seen in the third and fourth installments, and shy away from the doomed family members who awaken in the middle of the night to find themselves fighting for their lives. Been there, done that. Time to move on.

"Ryan Adams: Losering, a Story of Whiskeytown" by David Menconi

I moved to Raleigh, North Carolina in the late 1990's, when Whiskeytown and Ryan Adams were on their way out, one way or another. During my first two years in the area, I worked part time at a now defunct CD superstore and had occasion to listen to co-workers who knew of Ryan Adams and, outside of his music, had nothing positive to say about him. Hearing about Adams, who is originally from Jacksonville, NC, but moved to Raleigh, where his career as a musician took off, made me curious to listen to his material to see what all of the fuss was about. Unfortunately, I listened to his solo albums first, Heartbreaker and Gold, which I did enjoy, especially the aching "Oh My Sweet Carolina," but not enough to delve into his earlier work. After reading David Menconi's new book, Ryan Adams: Losering, a Story of Whiskeytown (University of Texas Press), I plan to rectify that oversight.

Menconi, the long time music critic for the Raleigh News & Observer, paints a sometimes loving portrait of an artist who is clearly a musical prodigy, but often allows his personal demons to get the better of him. Or does he? Menconi, through the use of interviews, articles, first hand accounts and Adams's own online postings, provides readers with enough background information to question whether Adams really is a tortured artist, in the same vein as Jim Morrison or perhaps Axl Rose, or if he is just putting people on as a way of bringing attention to himself. The stories of his sometimes outrageous behavior during concerts, whether the result of being heckled by fans or perhaps feeling that he was not receiving adequate attention, are eye-opening. Of course, alcohol consumption can greatly influence moods and, according to various first hand accounts, Adams rarely appeared restrained while imbibing.

The author also spends much time discussing and analyzing the music of Ryan Adams, particularly his early days with various bands, including Patty Duke Syndrome and Whiskeytown. A selected discography is included at the end of the book, which I am inclined to fully utilize. The author is clearly a fan and while he heaps praise on Adams, he also maintains a strong degree of objectivity, which is much to his credit. His criticism appears balanced and he refrains from casting any personal judgements, but the same cannot be said of some of his interviewees, who are not as restrained. Considering some of Ryan Adams's bad boy behavior occurred many years ago, it is telling that a few people still have less than flattering recollections of their encounters with the musician.

I appreciated reading the anecdotes about the various clubs that Whiskeytown used to frequent and of other Raleigh landmarks that are mentioned throughout the book and I suspect local residents will too. The 200 plus page book, which is part of the American Music Series, is a relatively quick read and one that music fans will likely appreciate, especially with a complicated and sometimes self destructive musician playing an integral role in this fascinating, often shocking and never boring story. While genius and madness oftentimes go hand in hand, it is up to readers to decide if both apply to Ryan Adams.



Horror Spotlight - "The Chernobyl Diaries"

Photo credits: Warner Bros.

Writer/producer Oren Peli branches out from his Paranormal Activity films to explore the what ifs of the aftermath of the Chernobyl nuclear disaster that occurred in 1986, with Chernobyl Diaries. The film centers around a group of young adults who are traveling through Europe before heading to Moscow, where Chris (Jesse McCartney) plans to propose to his lady love, Natalie (Olivia Taylor Dudley). While in Kiev, Chris visits his brother, Paul (Jonathan Sadowski), who suggests that they experience extreme tourism by visiting the town of Prypiat, the site of the ill-fated Chernobyl nuclear power plant. Chris and Natalie, along with their friend Amanda (Devin Kelley) agree to go with Paul, who has hired a tour guide, Uri (Dimitri Diatchenko) to escort them there. Before they leave, the group meets up with two backpackers, Zoe (Ingrid Bolso Berdal) and Michael (Nathan Phillips), who are interested in joining them and the group enthusiastically agrees.

The excitement within the group is palpable, but when they approach the Chernobyl Exclusion Checkpoint near Prypiat, they are turned away by authorities. However, Uri knows a back way into Prypiat and proceeds to drive through the desolate surroundings, which does not seem to deter the adventurous group. They soon arrive at the area that used to serve as home to the Chernobyl employees and their families. After a tour of one of the buildings, Uri notices a smoldering fire on the floor, but brushes it aside so no one else can see it. This is an allegedly deserted location after all. Before the team leaves they are frightened by a natural predator, but everyone is safe and accounted for. As darkness looms, they decide to leave, but the van will not start because wires in the engine have been chewed up, perhaps by the wild dog population. After unsuccessfully radioing for help, they decide to stay in the van and wait until morning. However, natural threats from wild animals and other more malevolent threats begin to appear, exposing the group to unspeakable horrors.

The first half of Chernobyl Diaries is effective and chilling, considering the area around Chernobyl was restricted for many years and has since been shut down again. What could be occurring in and around the disaster site that has officials on guard some 25 plus years later? The combination of natural threats and supernatural elements is creative, but provides more questions than answers as the second half of the film moves along. The majority of the cast members are serviceable in their roles as the seemingly doomed group is faced with one unfortunate event after another. There was not enough development to really endear the characters to viewers, but this is a horror movie after all, with many "redshirts" who will not last until the end of the film anyway. That is not a spoiler, just common sense. Overall, Chernobyl Diaries starts off strong and manages to build suspense, but when the body count starts to rise, the plot begins to meander around and never fully addresses exactly what is really going on. Perhaps a sequel might help to fill in the blanks.

Chernobyl Diaries available on Blu-ray Combo pack, DVD and for download 10/16.

“Chernobyl Diaries” Blu-ray Combo Pack contains the following special features:

· Alternate Ending

· Uri’s Extreme Tours Infomercial

· Chernobyl Conspiracy Viral Video

· Deleted Scene

“Chernobyl Diaries” Standard Definition DVD contains the following special features:

· Chernobyl Conspiracy Viral Video

· Deleted Scene

Watch a clip below

Weekend Box Office Estimates: October 19-21, 2012

The Perks of Being a Wallflower (pictured above) did not place among the weekend's top ten films, but it did something remarkable. After adding just a few additional theaters, the film earned just as much money last weekend, $2.15 million, as it did this past weekend, its fifth in release. That is called staying power. The Perks of Being a Wallflower (Lionsgate/Summit) deserves to find an audience and it is slowly doing just that. You can read my thoughts on the film here. 

Moviegoers are clearly in the Halloween spirit, as four of the top ten entries are relevant to the upcoming holiday. The top spot belongs to Paranormal Activity 4 (Paramount), which earned an estimated $30.2 million. Since the film was produced for a fraction of that amount, expect the franchise to return around the same time next year. Another horror film, Sinister (Lionsgate/Summit), landed at number six,  adding another $9.0 million in its second weekend. Two animated films paying homage to classic horror movie characters, Hotel Transylvania (Sony/Columbia) and Frankenweenie (Disney), earned $13.5 million and $4.4 million, respectively. However, Hotel Transylvania is a much bigger hit with audiences and its cumulative total now stands at almost $120 million. On the other hand, the critically praised Frankenweenie may struggle to top $40 million before it reaches the end of its theatrical run. 

Here are the Top Ten Weekend films, according to early estimates (numbers are in millions):

1. Paranormal Activity 4 - $30.2

2. Argo - $16.6

3. Hotel Transylvania - $13.5

4. Taken 2 - $13.4

5. Alex Cross - $11.8

6. Sinister - $9.0

7. Here Comes the Boom - $8.5

8. Pitch Perfect - $7.0

9. Frankenweenie - $4.4

10. Looper - $4.2

Oscar Watch: Ben Affleck Directs and Stars in "Argo"

Photo Credit: Warner Bros.

In the middle of the 1979 Iran hostage crisis, a sly CIA agent decides to enlist the help of Hollywood bigwigs to pull off a ballsy mission - rescue six Americans who are hiding out in the Canadian embassy in Tehran. The agent, Tony Mendez (Ben Affleck), teams up with make-up artist John Chambers (John Goodman) and producer Lester Siegel (Alan Arkin) to devise a plan to create a phony sci-fi film, entitled Argo, to be partially shot in Iran. The "filmmakers" are looking for exotic locales to front as an otherworldly landscape. Mendez will be traveling alone and once he arrives in Iran, he will coach the hostages to be "experts" in some aspect of filmmaking, such as set design, and then escort them out of the hostile environment and safely back home.

It just so happens that Argo is based on true events and CIA agent Tony Mendez was able to successfully complete his mission. That is not a spoiler, as the information was declassified in the late 1990's, and the amazing story is now playing out on screens nationwide. Director Ben Affleck, who does double duty as lead actor, has crafted a pulse pounding film that will leave viewers at the edge of their seats, despite already knowing the outcome of the film. The screenplay, by Chris Terrio, expertly lays out the plan, as Mendez, Chambers and Siegel go to great lengths to make Argo look like the real thing. A script is chosen, tables readings are done, storyboards, which play a huge role in the success of the mission, are created, and the film receives the full press treatment. Despite the serious nature of the story, the screenplay is filled with several comedic moments, including a running joke about the titular fake film that Tony, John and Lester use to great effect.

Yes, the plan is ingenious, but the seemingly impossible task of executing it and getting the six men and women to safety falls upon Mendez alone, who is determined to successfully complete his task. Despite facing a number of setbacks and even receiving word from his superiors that the mission has been cancelled, Mendez remains undeterred, even when some of the Americans refuse to take part in the plan. However, if they do not leave Iran, they will surely be killed when they are discovered.

Affleck assembles a likable and terrific cast, including the aforementioned Alan Arkin and John Goodman, who are both outstanding in their respective roles. In addition, Bryan Cranston (Breaking Bad) portrays the no-nonsense and commanding Jack O'Donnell, a CIA official who uses his creativity and persuasiveness to do everything possible to assist Mendez. The talented supporting cast includes Kyle Chandler (Friday Night Lights), Tate Donovan (Damages), Victor Garber (Alias) and the great character actor Philip Baker Hall (The Talented Mr. Ripley). However, it is Affleck who receives the most screen time and delivers the strongest work, as Mendez. He often looks beleaguered, but is steadfast in his belief that the plan will work. However, the level of responsibility that he feels is palpable and will endear him to viewers, who will root for him every step of the way.

Ben Affleck has created what is probably his best film to date. Considering his other films include Gone Baby Gone and The Town, that is quite an achievement. Argo should allow the veteran actor/director to once again receive Oscar consideration because his latest effort is, without question, one of the best films of 2012.

Celebrate Halloween with "100 Greatest Horror Classics" - Featuring Films Starring Boris Karloff and Vincent Price

Icons of the classic horror movie genre, including Boris Karloff, Bela Lugosi, Lon Chaney Sr., Christopher Lee and Lon Chaney Jr., are all featured in the 24-disc DVD box set 100 Greatest Horror Classics (Mill Creek Entertainment). Two DVD sets; "Horror Classics" and "Legends of Horror," each feature 50 movies, along with a booklet with movie titles and descriptions. The notable titles featured on "Horror Classics" include House on Haunted Hill, starring Vincent Price, Nosferatu (1925), starring Max Schreck, Lon Chaney Sr. in The Phantom of the Opera, and Roger Corman's Little Shop of Horrors, starring a very young Jack Nicholson. House on Haunted Hill is the perfect Halloween movie. Set in a huge, mausoleum like house, several strangers are offered a large sum of money if they remain in the house overnight....and survive, of course. Vincent Price chews the scenery as Frederic Loren, an eccentric with a morbid sense of humor. The film features an eerie soundtrack, secret passageways, walking skeletons and the pesky problem with lights that go on and off by themselves, placing a few "guests" in jeopardy.

"Legends of Horror" features 20 selections from the master of suspense himself, Alfred Hitchcock, including his films Easy Virtue and The Thirty-Nine Steps, as well as two episodes of his classic television series Alfred Hitchcock Presents. In addition, Christopher Lee appears in several films, including Count Dracula and his Vampire Bride, End of the World and Horror Express. Lee portrayed Dracula is several Hammer horror films and, after Bela Lugosi, is perhaps the most memorable actor to tackle the role. With Halloween fast approaching, you may be considering a horror movie marathon to celebrate the season. 100 Greatest Horror Classics can provide exactly what viewers need, courtesy of suspenseful and fright filled options featuring the legends of horror.

For additional information, go here.

Ann & Nancy Wilson (of Heart) Share Their Story of Rock and Roll Survival in "Kicking & Dreaming"

True talent stands the test of time. After 35 years in the music business, Heart is still recording and touring and sounding as great as they ever have. How is that possible, when so many of their counterparts from the 1970's have fallen off the radar? Perhaps it was the adversity that sisters Ann and Nancy Wilson had to endure over the years. They were able to rise above all of the naysayers and emerged stronger and more intent on proving themselves and continue to demonstrate that they are the real deal. Sometimes when people are told that they cannot do something, they might give up on their dreams, but the Wilson sisters never did. Indeed, just over the past several months the band has released a box set, Strange Euphoria, a new CD, Fanatic, received a star on The Hollywood Walk of Fame, received their second nomination for induction into The Rock and Roll Hall of Fame, and have released a book about their career, Kicking & Dreaming: A Story of Heart, Soul and Rock & Roll (It Books), by Ann & Nancy Wilson, with Charles R. Cross.

Even before entering the music business, the Wilson sisters had to overcome a childhood that found them moving around constantly as a result of their father's job with the Marine Corp. The constant upheaval was difficult for their entire family. In addition, their father, John, was seriously injured twice in combat and was even presumed dead on one occasion. Furthermore, Ann talks about her struggles with weight and a speech impediment which made attending school very difficult. As a result, she often found herself being ridiculed by her classmates and even a few teachers. However, she was able to throw herself into music, which helped to form a lifelong bond with younger sister, Nancy, that still exists today. Nancy details her struggles with relationships, with band mates Roger Fisher and Mike Derosier, and also talks candidly about her lengthy marriage to writer/director Cameron Crowe, as well as dealing with problems of infertility.

After making their mark in the music industry, Nancy and Ann struggled with acceptance as the female leaders of a rock and roll group, which had been predominantly a man's job. They had to endure disrespect from many industry types, including male journalists who would suggest that the sisters were lesbian lovers and others who would focus on Ann's weight instead of her concert performances. Of course, those comments helped to inspire at least one of Heart's biggest hits, "Barracuda." On the other hand, a few of Heart's other early hits were inspired by love and rooted in Ann's long term relationship with Michael Fisher, who was the guiding force behind the original band.

The Wilson sisters also reveal their musical influences and the lengths that they went to in order to feel closer to their idols, including The Beatles, Joni Mitchell and Elton John. Nancy tells a particularly harrowing story about trying to find Joni Mitchell's farm in the days when it was relatively safe to hitchhike. Ann and Nancy discuss meeting some of those idols, as well as touring with John Mellencamp, Van Halen, Journey and Def Leppard. Nancy reveals an interesting story about Eddie Van Halen, while both sisters recount an unpleasant situation with John Mellencamp. Both make for interesting reading. I appreciated Ann filling in the blanks on some of her relationships, post Michael Fisher, as well as the stories of how she came to adopt her two children, Marie and Dustin. I also read with fascination about Nancy, who always seems so secure and confident on stage, but can be painfully shy off stage.

The story of Heart is a story of survival. The sisters recount their lives by taking turns in almost every chapter to detail their life story, both with Heart and in their personal lives. Of course, sometimes the two mixed and not always well. In addition, current and former band members and other associates of the band occasionally chime in with their recollections of Heart's long history. Even though I have followed the band closely for many years, several things caught me by surprise, including Ann's substance abuse problems, Nancy's departure from the band for several years, and an amusing story of a rather ominous figure from the Wilson family history. I also enjoyed learning about the early days of the "Big Five;" Ann, Nancy, their sister Lynn and parents John (Dotes) and Lois (Lou). Now that many of the puzzle pieces have been fit together in Kicking & Dreaming, it will be interesting to see what that future holds for the supremely talented sisters who have stood the test of time and appear to finally be receiving recognition that is long overdue.

"The Independent Filmmaker’s Guide" by Glenn Berggoetz

Fifteen years ago, making a feature film meant spending a minimum of $20,000 and three to five years from start to finish. With the advent of digital cameras, no longer must a filmmaker invest a small fortune into film. Did you know you can make a great feature film in four months and with less than $2,000? In The Independent Filmmaker’s Guide (Limelight Editions, $14.99), award-winning filmmaker Glenn Berggoetz explains exactly how to pull it off.

This book debunks myths such as you should only write a few pages of the script each day, you need to hit up friends and family for funding, you can’t cast yourself in the film, you have to get a permit to film on location, storyboarding is a must, and filmmaking is a great way to hook up with babes.

Berggoetz’s advice ranges from “Make sure you always let everyone on your slate audition before offering anyone a role. The best person for the role might be the first person to audition, but also might be the very last person to audition,” to “Here are some tips for making sure you have the money you need to make your films. First, if you’re not married, don’t get married. If you are married, don’t take on any extra lovers. Spouses and lovers cost money to keep happy, so keep them to an absolute minimum.” With witty, easy-to-read writing, this guidebook is more fun than any filmmaking book you’ve ever thought about picking up!

New on DVD: "The First Christmas: The Story of the First Christmas Snow"

The holidays are fast approaching and you can get into the spirit of the season early with the recently released DVD The First Christmas: The Story of the First Christmas Snow Remastered Deluxe Edition. Originally broadcast as a holiday special in 1975, The First Christmas: The Story of the First Christmas Snow is produced by Rankin-Bass (Rudolph the Red-Nosed Reindeer). The story centers around Lucas, a young shepherd boy who is blinded by lightning and subsequently taken in by nuns from a nearby abbey. Lucas is an orphan and may have to be placed in a home for children, because the abbey does not have the resources to take care of him. However, Sister Catherine (Angela Lansbury) takes a liking to Lucas and tries everything in her power to allow him to stay at the abbey and be looked after by the Sisters. Lucas understands that he may have to leave and wants Sister Catherine to take care of his sheep and his dog, Waggsly. As Lucas and Catherine grow closer, she describes snow to him, since he has never seen it for himself because the area that they live in is not conducive for snow to fall. However, that all changes during a Christmas pageant, which fills Lucas with hope for a miracle.

The First Christmas: The Story of the First Christmas Snow features stop motion animation and a screenplay that will tug at your heartstrings. The lovable Lucas, who is not spoiled in any way, accepts his situation, but wants to make sure his sheep and dog are cared for if he must be placed in an orphanage. Lucas really does love the animals and viewers will too because they are just so darn cute. I was not familiar with The First Christmas: The Story of the First Christmas Snow before, but I will add it to my list of yearly holiday viewing options.

The First Christmas: The Story of the First Christmas Snow was released on October 2. Own it on DVD today from Warner Home Entertainment.

You can view a clip below.

Animation Spotlight: "Happiness is… Peanuts™: Go, Snoopy, Go!" DVD

Photo Credit: Warner Bros.

Baseball's World Series will soon be underway, so now is a good time to celebrate America's favorite pastime with Snoopy and the rest of the Peanuts™ gang in the new DVD Happiness is… Peanuts™: Go, Snoopy, Go. Two full length animated specials are featured, including It's Spring Training, Charlie Brown, and an episode from The Charlie Brown and Snoopy Show. A relative unknown character, Leland, helps Charlie Brown's struggling baseball team in It's Spring Training, Charlie Brown, despite his small stature. The pint sized kid shows a lot of heart and will capture the hearts of viewers, as he overcomes many obstacles, including a poor fitting uniform and over-sized helmet. The writing delivers a subtle, yet important message to younger viewers about not judging someone by their appearance alone.

An episode from The Charlie Brown and Snoopy Show, entitled "It's That Team Spirit, Charlie Brown," features five brief installments. Only one, "Rainy Day," is centered around baseball and finds Charlie Brown and Lucy at odds, as usual. Other characters making appearances include Peppermint Patty, who refuses to go to school, the precious Rerun who makes observations about the world around him, and Snoopy, who gets into trouble by pretending to be a vulture, and when he steals Linus's blanket (oh boy!).

Happiness is… Peanuts™: Go, Snoopy, Go was released on October 2. Own it on DVD today from Warner Home Entertainment. For additional information, go here.

You can watch a clip below.

New Television Season Spotlight: "American Horror Story: Asylum"

Photo Credit: FX

The second season of American Horror Story begins tonight at 10:00pm ET on FX. A new season brings a new story and a new setting, moving from a haunted house in California to an asylum in Massachusetts. However, some of the faces appearing in American Horror Story: Asylum will be familiar, including series star Jessica Lange (who won an Emmy for her performance in the first season), as a nun, Sister Jude, who runs the facility, known as Briarcliff Manor. As the second season begins, a young, attractive couple are fooling around on the what remains of the Briarcliff property and, as any horror fan understands, sex usually equates to death. However, no one ever really stays dead on this show, right? So expect revivals along the way, as the narrative is split between present day and 1964, where all sorts of heinous events were unfolding. 

In addition to Lange, other season one cast members who are returning include Evan Peters, Zachary Quinto, Lily Rabe and Sarah Paulson, but they will all be portraying new characters. In addition, a slew of talented actors are joining the cast, including James Cromwell, Joseph Fiennes and Chloë Sevigny. Creator Ryan Murphy crafted a fascinating, fright filled first season and I expect more of the same for the second season, especially since he has assembled yet another superb cast, who get to hang out and do unspeakable things at an asylum. Now that sounds like fun!

Giveaway! Win a Copy of the Chernobyl Diaries Blu-Ray Combo Pack and Learn About Extreme Tourism

Updated 10/27/12 - The giveaway has ended. Congratulations to Steven W. from Brookfield, WI, Stephen N. from Romeoville, IL and Shemp D. from Corpus Christi, TX!

Photo Credit: Warner Bros.

PopCultureGuy, in conjunction with Warner Bros., would like to give three lucky readers an opportunity to win the Chernobyl Diaries Combo Pack (Blu-Ray + DVD + Ultraviolet), which is being released today, Tuesday, October 16.

Synopsis -“Chernobyl Diaries” is an original story from Oren Peli, who first terrified audiences with his groundbreaking thriller, "Paranormal Activity." The film follows a group of six young vacationers who, looking to go off the beaten path, hire an "extreme" tour guide. Ignoring warnings, he takes them into the city of Pripyat, the former home to the workers of the Chernobyl nuclear reactor, but a deserted town since the disaster more than 25 years ago.

After a brief exploration of the abandoned city, however, the group soon finds themselves stranded, only to discover that they are not alone... Brad Parker makes his feature film directorial debut with "Chernobyl Diaries." The screenplay was written by Oren Peli and Carey Van Dyke & Shane Van Dyke, based on a story by Peli. Peli also produces, with Brian Witten. Richard Sharkey, Rob Cowan, Andrew A. Kosove, Broderick Johnson, Allison Silver, Milan Popelka and Alison Cohen serve as executive producers. The film's cast includes Devin Kelley, Jonathan Sadowski, Ingrid Bolsø Berdal, Olivia Taylor Dudley, Jesse McCartney, Nathan Phillips and Dimitri Diatchenko.

Before watching Chernobyl Diaries and before you leave for your next exotic vacation, you may want to take into consideration these pointers on extreme tourism to ensure your survival:

Extreme Tourism: Do’s and Don’ts

• ;Do bring someone who speaks the language
• Don’t lose him
• Do pick new and interesting places to explore
• Don’t pick places where people fled from fear of radiation poison

To enter the Chernobyl Diaries giveaway, send an e-mail to don.sauer@gmail.com, place Chernobyl Diaries in the subject line and include your favorite tourist/vacation spot. The contest begins October 16 and runs through October 22. Three winners will then be drawn at random and notified shortly thereafter.

Open to U.S. residents only, 18 years of age or older.

Thank you for reading PopCultureGuy!

New Television Series Spotlight: "Emily Owens, M.D."

Photo Credit: The CW

Television's newest medical drama (with a healthy dose of humor), Emily Owens, M.D., premieres tonight at 9:00pm ET, on The CW. Mamie Gummer (Off the Map) portrays the title character, a first year intern at Denver Memorial Hospital. Emily wastes no time becoming integrated with her new co-workers and supervisors, but does not necessarily make a good first impression on everyone. She is familiar with two hospital employees who she met at medical school; a frenemy, Cassandra (Aja Naomi King), and a former would-be boyfriend, Will (Smallville's Justin Hartley). Emily Owens, M.D. has a very contemporary feel and early episodes feature solid writing and a fine performance from Gummer, who assumes her lead duties with ease. The elements are present to build a quality series, but time will tell if the show can maintain its consistency. For now, I am on board.

Heart Concert Review - Cary, NC 10/14/2012

Photo Credit: Sony Legacy/Miles High

Heart returned to the Koka Booth Amphitheater in Cary, North Carolina for the first time since 2009 and rocked the house. Two thirds of the set list consisted of rock songs, many of which were originally recorded in the band's early days, proving that Heart has certainly not mellowed with age. Indeed, Ann's superior vocal range still packs immense power, while Nancy remains one of the best guitar players in the world and is still in fine vocal form herself. In addition, Nancy is somehow still able to do her trademark high leg kick while playing the guitar. All I can say is that the Wilson sisters appear to defy the aging process year after year.

One third of the set list was devoted to new songs featured on Heart's recently released CD, Fanatic, including "59 Crunch," "Dear Old America," "Walkin' Good," the title track and "Mashallah." Despite a great effort from the band, the rather lethargic crowd did not appear to appreciate the new selections, which is too bad. Even Ann's amazing vocals on "Mashallah" did not seem to make a difference. However, when Heart turned to their classic hits, such as "Crazy on You," "Magic Man" and "Barracuda," the audience seemed to be transformed and were very appreciative. Other well known songs, including the funky "Straight On" and the rocking "Heartless" were well received, while a change in arrangement brought new life to "Even it Up" and the ballad "Dog & Butterfly."

Sandwiched in between songs from the early days of the band and their latest release were mega-hits from the 1980's. The highlight of those efforts, as usual, was "Alone," with Ann delivering yet another searing vocal performance, while Nancy assumed lead vocals for "These Dreams" (as well as the aforementioned "Walkin' Good"), the band's first number one hit. Another hit from that era, "What About Love," was also well received. The encore included a cover of "Black Dog" from Led Zeppelin. Anyone familiar with Heart's history understands that they do justice to every Led Zeppelin song they undertake and, in some cases, sound better, as is the case with "The Battle of Evermore," which did not make the set list. Overall, Heart played another great, energetic and musically tight concert that showcased their strengths as artists and performers. Although I was disappointed that my favorite Heart song, "Mistral Wind," did not make the set list, even though it has been played at other venues during the tour. Maybe next year!

Weekend Box Office Estimates: October 12-14, 2012

Taken 2 (Fox) reigned supreme at the box office for the second weekend in a row. The Liam Neeson action thriller earned an estimated $22.5 million and, after ten days, boasts a cumulative total of almost $87 million. I assume there will be a third installment. The number two spot was claimed by newcomer Argo (Warner Bros.), a film directed by and starring Ben Affleck. The political thriller centering around the rescue of six Americans during the Iran hostage crisis grossed just over $20 million. Another new film, Sinister (Lionsgate/Summit), starring Ethan Hawke, landed in third place. The horror flick scared up over $18 million during the three day frame. Rounding out the top five are the animated Hotel Transylvania (Sony/Columbia), which continues to hold up well after three weeks, and the new comedy Here Comes the Boom (Sony/Columbia), starring Kevin James. Hotel Transylvania added just over $17 million, while Here Comes the Boom debuted with $12 million.

Here are the Top Ten Weekend films, according to early estimates (numbers are in millions):

1. Taken 2 - $22.5

2. Argo - $20.1

3. Sinister - $18.3

4. Hotel Transylvania - $17.3

5. Here Comes the Boom - $12.0

6. Pitch Perfect - $9.3

7. Frankenweenie - $7.0

8. Looper - $6.3

9. Seven Psychopaths - $4.3

10. The Perks of Being a Wallflower - $2.2