Michael Apted's "56 Up" Premieres Tonight on "POV"

Photo Credit: PBS/POV

Director Michael Apted has examined the lives of a group of people every seven years for nearly five decades in an ongoing documentary series. Along the way, some have dropped out of the project, but the ones who remain are part of a truly unique experience. In the seventh installment, 56 Up, Apted uses flashbacks to highlight the differences from the participants first appearance, in the 1964 documentary Seven Up!, and the results are truly fascinating.

Life seldom turns out how we expect it to, especially when we are children looking toward the future, and that is true for most of the participants in the film, some of whom have come full circle in ways they probably never imagined. While every story is unique, I was particularly impacted by Neil and Jackie, who have endured tremendous hardships, but keep moving forward despite those challenges. The candor expressed by the participants is refreshing and sometimes surprising, as some of them express mixed feelings about continuing to appear in the films. Of course, they have a choice not to appear, but some feel loyal to the series, others seem to enjoy the spotlight and others may just be curious and want to see how their peers are doing. Considering the probing questions that Michael Apted poses to them, I can understand the reluctance of some of them to participate.

56 Up premieres tonight on POV on PBS. Check your local listings for more information.


Press Release: They’ve Been Filmed Every Seven Years Since 1964. Now the “Kids” Are  ‘56 Up,’ Premiering on POV, Monday, Oct. 14, 2013 on PBS INDIES SHOWCASE 

What Becomes of the Dreams of Children? Acclaimed Director Michael Apted Returns With Latest Installment of Groundbreaking Documentary Experiment That Began with ‘Seven Up!’ 
“It is a mystery, this business of life. I can't think of any [other] cinematic undertaking that allows us to realize that more deeply.”—Roger Ebert 

In 1964, director Michael Apted (Coal Miner’s Daughter, Gorky Park, Gorillas in the Mist) was a young researcher on the experimental documentary series World in Action for a program called Seven Up!, produced for England’s Granada Television. Taking its cue from the Jesuit maxim “Give me the child until he is seven and I will give you the man,” the film focused on 7-year-olds from diverse socio-economic backgrounds. By asking 14 children about their lives and their hopes and fears for the future, the filmmakers aimed to explore contemporary English attitudes, especially regarding the class system, as expressed by children. And by following the youngsters as they progressed through life, the Up series looked to test the strength of that system and the truth of the Jesuit saying. Was the adult already visible in the 7-year-old? 

After Seven Up!, Apted took the series’ directorial helm, and over the half-century since, he has returned every seven years to ask the same subjects to talk about how they see their lives. The result has been a unique, inspired and always-surprising chronicle of lives-in-the-making. In 56 Up, Apted finds the “kids” have mostly weathered the marital, parental and career tumults of middle age with remarkable aplomb, even as they begin facing the challenges of aging, illness and economic crises.

56 Up has its national broadcast premiere on Monday, Oct. 14, 2013 at 10 p.m. (check local listings), on the award-winning PBS series POV (Point of View). The film is part of the new PBS INDIES SHOWCASE, a four-week series of independent documentaries airing on Monday nights from Sept. 30-Oct. 21. POV is American television’s longest-running independent documentary series and the recipient of a 2013 MacArthur Foundation Award for Creative and Effective Institutions. 

From cab driver Tony to schoolmates Jackie, Lynn and Susan to the heartbreaking Neil, more life- changing decisions and surprising developments are revealed as the participants turn 56. Apted employs a telescopic method when presenting his subjects, cutting back and forth between the present time of 56 Up and clips from earlier installments to create portraits in motion. For veteran viewers of the series, this is rich cinematic fabric. Apted quickly and dramatically brings up to speed anyone who hasn’t seen some or all of the previous films.  

Not all original Up subjects have agreed to participate in each of the films. Some have dropped out and then back in, for reasons they best explain themselves, and one of the delights of 56 Up is the love-hate relationship some have with the series. 

“This project has spanned my entire working life. It has been a unique and fulfilling experience, the  one I treasure most in my career,” says Apted about the Up series, which won a 2013 Peabody Award. “I never know how each new film will turn out, except that it’ll be quite different from the last. 21 Up was full of hope, 28 was about children and responsibility, 35 was concerned with mortality when some were losing parents, and 49 had a sense of disappointment with lives maybe not fully achieved. Yet 56 Up is quite different again, which goes to prove, if nothing else, that our series mirrors life—and is always full of surprises.” 

56 Up is another step in a life-spanning project—for filmmaker, subjects and viewers—that has no parallel in the history of film. Like its predecessors, it probes a profound question: What becomes of the dreams of children? 

56 Up is a production of ITV Studios Limited. Like all the episodes of the Up series since 28 Up, 56 Up is a First Run Features release in the United States; it will be available on DVD this fall. 

Meet the people in 56 Up: 

Ebullient, charming, cockney-accented East Ender Tony wanted to be a jockey when we met him in Seven Up! The series followed him as he saw his dream come true and then gave it up to be a cabbie. He’s been successful enough to own a home in England, which he shares with his wife, Debbie, and their children and grandchildren. He also owns a vacation home in Spain. In 56 Up, Tony shows the lot he was planning to develop before the economy turned sour. He seems happy, yet he harbors guilt about infidelities and frustration with the immigrants who have changed his beloved East End. He talks about 32 years of marriage. “High and low, Debbie has stood by me,” he says tearfully. “At the end of it, I still love her so.” As he visits the London 2012 Olympic Stadium, formerly the site of a dog track in his East End neighborhood, he brims with pride. The Up series has brought him such recognition that when astronaut Buzz Aldrin was his passenger, a taxi driver pulled up and requested an autograph. When Tony asked Aldrin to oblige, the other cabbie said, “No . . . I want your autograph.” Says Tony, “To this day I thought to myself, ‘I’m more famous than Buzz Aldrin? He’s the second man to land on the moon!’” 

“I want to be an astronaut, or if I can’t be an astronaut, I think I’ll be a coach driver,” said 7-year-old Liverpudlian Neil. He went from happy child, to homeless young adult, to a man working doggedly at political and writing careers that can’t sustain him financially. He says he’s appearing in 56 Up in part because he “wants to set the record straight in a number of ways. For so many millions of people I’m here wearing my heart on my sleeve and they think they know absolutely everything about me.” Despite doubts about God and religion expressed in previous Up films, Neil is seen in 56 Up working as a lay minister at a local church. 

Peter and Neil were friends growing up in Liverpool. Peter stopped participating after 28 Up because the media and viewers saw him as “angry young Red in Thatcher’s England,” but he has returned for 56 Up with the frank intention of promoting his folk band the Good Intentions. “I was an easy target,” he says of his experience 28 years ago. “I was absolutely taken aback, genuinely shocked by . . . the level of malice and ill will directed at me. Until you’ve experienced it yourself, you can’t begin to appreciate how it feels.” With two children and a wife, Gabbie, who shares his passion for music and plays accordion in the band, “I feel a lot happier with myself, happier in my own skin.” He left the teaching profession shortly after 28 Up, studied law and joined the civil service. “I don’t think really life is there to be regretted,” he says. “Life is there to be lived.”  

Nick, who went from farm boy to Oxford University student, to nuclear-fusion researcher, to teacher of electrical engineering, and Suzy, who was one of the more privileged children and who became a
3 of 5 homemaker, interview each other and debate the effects of the film. Says Suzy, “The problem I have is that you don’t get a very rounded picture, you get the odd comment.” She vowed at age 49 that she would bow out of the series, yet, she laughs, “I suppose I have this ridiculous sense of loyalty to it.” Adds Nick: “They film me doing all this daft stuff and it’s seven days out of every seven years . . . it’s all this excitement . . . and then they present this tiny little snippet and it’s like, ‘Is that all there is to me?’” Yet Nick, who lives in the United States with his second wife, Cryss, also presents the most spirited defense of the series, saying, “The idea of looking at a bunch of people over time and how they evolve was a really nifty idea. It isn’t a picture really of the essence of Nick or Suzy; it’s a picture of everyman.”  

Sue, who spent her middle years as a working, single mom, is in a long-term relationship, has happy children and has advanced to the top of the administrative department of the School of Law at Queen Mary, University of London, even though she never went to college. Paul, who lived in a children’s home as a 7-year-old, emigrated to Australia in his early teens and is happily married with five grandchildren; he’s proud that his daughter, Katy, is the first member of his family to go to university.  

Symon lived in the same children’s home as Paul. The only child of a single mother who died at age 35, he is biracial. He’s survived a divorce and has a difficult relationship with his five children from the union. 56 Up finds him working in a warehouse and living happily with his second wife, Vienetta, and his 18-year-old son. Symon and Vienetta have an incredibly busy life, which includes fostering children and teens, who express their profound gratitude in 56 Up. If Symon has one regret, it’s that he didn’t push himself academically, but his wife’s drive makes up for his laid-back personality. 

The Up series has followed Jackie through marriage, divorce and childbirths. In 56 Up, she tells viewers about the family deaths she has endured—her sister, ex-husband, mother-in-law, stepmother and brother-in-law—as well as government cuts to her disability benefits for rheumatoid arthritis. Yet the birth of her first grandchild brings hope and joy, and she has even dipped a toe into Internet dating. Despite all her troubles, she sees herself as an optimist. “My glass is always half full, never half empty. That’s the way it will continue to be, I hope.”  

Lynn, Jackie’s schoolmate, was the 7-year-old who wanted to work in Woolworth’s. Instead she was a children’s librarian for more than 30 years. Happily married, she has a growing family of grandchildren but recently lost her job due to budget cuts. Then the financial crisis hit, and one of her grandchildren was born prematurely. “What I thought was stress was nothing,” she says. But her husband of 37 years “is still my soul mate. We’ve just grown together.” 

Andrew and John, along with Charles (who stopped appearing after 28 Up), were attending a pre- preparatory school in Kensington in Seven Up!, and they exhibited almost comically upper-crust attitudes. “I read the Financial Times,” the 7-year old Andrew declared, while little John chimed in, “We think I’m going to Cambridge and Trinity Hall.” Andrew married, had two sons and became a partner at a firm of solicitors. John studied at Oxford and became a barrister. He married Claire, and the two have spearheaded environmental projects in England and charitable work in Bulgaria, which he finds more satisfying than “winning some fantastic case on some ludicrous, arcane point of law.” In 56 Up, John explains that he missed a couple of films because he felt the depiction of him as privileged was a misrepresentation. “What viewers were never told was that my father died when I was 9, leaving my mother in very uncomfortable financial circumstances  . . . and that I got a scholarship to Oxford.”  

Bruce, as a boy attending private school, wanted to be a missionary in Africa. Instead, he graduated from Oxford, and at 35 took a sabbatical to teach in Bangladesh. Over the years, he longed for a spouse. In 42 Up, Bruce revealed he had met a fellow teacher, Penny, while working in London’s East End, and had tied the knot. In 56 Up, they are still married and have two sons who attend a Quaker school. 

Disneynature's "Bears" Trailer

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Documentary "Love Under Fire" Highlights the Lives, Influence and Contributions of Bertha and Potter Palmer

Information courtesy of Lori Rackl and The Chicago Sun-Times 

TWO OF THE MOST INFLUENTIAL AMERICANS YOU’VE NEVER HEARD OF - New documentary tells the story of Bertha and Potter Palmer 

Chicago is what it is today thanks in no small part to deep-pocketed visionaries Bertha and Potter Palmer, a 19th-century power couple depicted in a new documentary, now available on DVD. 

Produced by River Forest-based Corn Bred Films, the half-hour program tells two love stories: one between young socialite Bertha Honore and the self-made millionaire 23 years her senior, and another between the Palmers and the muddy Midwest outpost they helped transform into a world-class city after the Great Chicago Fire in 1871. 

“Love Under Fire: The Story of Bertha & Potter Palmer” also chronicles Potter Palmer’s massive role in the retail business and how he shaped the way we shop today. It’s a timely topic. PBS recently launched “Mr. Selfridge,” an eight-part series about an ambitious American who spent 25 years working his way up the ladder at Chicago’s Marshall Field & Co., which got its start as a dry goods store opened in the mid-1800s by none other than Potter Palmer.

Evanston native Jeremy Piven stars as Harry Gordon Selfridge, who took everything he learned — and the piles of cash he earned — and hopped the pond to London to open his eponymous department store. 

“Selfridge probably wouldn’t have been Selfridge if it wasn’t for Potter Palmer,” said Amelia Dellos, who co-founded Corn Bred with her screenwriter husband, Eric Anderson. 

Dellos wrote and directed Corn Bred’s first completed project, the Palmer documentary, which works as the perfect appetizer before digging into multi-course “Mr. Selfridge.” 

“The whole concept of modern-day shopping as we know it — Palmer was the father of that,” Dellos said. “Marshall Field gets a lot of credit for things Palmer created.” 

Through a mix of sepia photographs and interviews with local historians, the documentary touts a long list of Palmer’s contributions to the retail biz, from eye-catching window displays to the “Palmer Method” of buying directly from manufacturers and importers to keep prices low.

“Potter Palmer actually started the whole concept of customer service,” Chicago author and historian Sally S. Kalmbach says in the film, crediting Palmer with the creation of the “bargain basement” and offering customers ample lines of credit.

Palmer helped turn shopping into a leisure activity — a sport of sorts aimed largely at women, who were increasingly asserting their independence. 

“He was the first one to allow women to come in and exchange or get a refund,” says Palmer’s great-grandson, Potter Palmer IV. “Everyone thought that was just a crazy thing to do.”

Like “Mr. Selfridge,” the Palmer documentary isn’t all business. Both shows devote ample time to the men’s wives (and in Selfridge’s case, his many lovers) — privileged, well-to-do Chicago women who shared a passion for art. 

Bertha Palmer singlehandedly is responsible for a large part of the Art Institute’s famed Impressionist collection. She also was instrumental in the 1893 Columbian Exposition, serving as president of the Board of Lady Managers — a role that had her butting heads with architect Daniel Burnham over the design of the Women’s Building. 

It was Bertha’s involvement in the World’s Fair that first piqued the interest of Dellos while she researched a paper as a graduate student at University of Illinois at Chicago. “The story of Bertha always stuck with me,” said Dellos, 41, who went on to write a historical-fiction screenplay about the woman, titled “Courting Bertha.” 

Dellos hopes “Love Under Fire” works as kindling to ignite demand for her screenplay, which she’d like to turn into a feature-length film as well as a theatrical production. 

“We’re hoping this is phase one,” she said. “Whether it’s 1893 or 2013, the Palmers’ story is timeless.” 

DVDs are available now at berthapalmer.com

"Wonder Women! The Untold Story of American Superheroines" Premieres Tonight, Monday April 15, on PBS's "Independent Lens"

For many years, there has been talk of a Wonder Woman movie, but for some reason it never seems to come to fruition. Perhaps the major studios who have the money to back superhero projects do not think a female lead character will fill seats or lead to a franchise, such as the popular Dark Knight triology or the recent Avengers related films that have performed incredibly well at the box office. There was also a pilot for a Wonder Woman television series that was produced not too long ago that failed to be picked up as a regular series. Yet, the character still seems to thrive in comic books, including the Justice League and in her own titular series. Insight into the character of Wonder Woman is discussed in depth in Wonder Women! The Untold Story of American Superheroines, which premieres tonight, Monday April 15, on PBS's Independent Lens (check your local listings for time and availability). Other comic book superheroines and also briefly discussed or mentioned, including Catwoman, She-Hulk, Batwoman and Batgirl. Wonder Women! also focuses on television superheroines, including The Bionic Woman, Buffy The Vampire Slayer and features comments from Lynda Carter, who portrayed Wonder Woman in the successful television series, of the same name, in the 1970s, and from feminist icon Gloria Steinem.

While no big screen adaptations of solo superheroines are currently planned, many characters star in their own monthly comic titles, including Batgirl, Catwoman, Batwoman, Captain Marvel, Red She-Hulk, Supergirl and Birds of Prey, which features an all female team. In addition, The Invisible Woman is still an integral part of the Fantastic Four and many female mutants continue to play prominent roles in popular titles, including Storm, Emma Frost, Rogue and the Scarlet Witch.

Filmmakers Kristy Guevara-Flanagan and Kelcey Edwards focus on the popular representations of powerful women since Wonder Woman's debut in 1941 and the impact they have had on society and vice versa. Initially, Wonder Woman was portrayed as a powerful superhero during the second World War, but afterwards was stripped of that power and was written in stereotypical terms for many years. Her fascinating evolution takes center stage as various interviewees explain how the character has positively impacted their lives in the intriguing hour long special that debuts tonight.