Selasa, 22 Oktober 2013

New Release: "Last Night at the Viper Room" by Gavin Edwards



Timed to the 20th Anniversary of the Death of River Phoenix (Halloween, 1993)

 “I think he was the best. Is. Was. Is the best of the young guys. I’m not just saying that now—I said that before he died. He had something I don’t understand.” —Brad Pitt on River Phoenix

 “Twenty years after his death, River Phoenix remains as enigmatic and elusive as ever."

Last Night at the ViperRoomtells the heart-shredding story of how this haunted actor left such a big impression in such a brief time.”  Rob Sheffield, author of Turn Around Bright Eyes, Talking to Girls About Duran Duran, and Love Is a Mix Tape
“It ends outside a nightclub called the Viper Room, on a Hollywood sidewalk. The young man convulsing on the pavement is named River Phoenix. His brother is on a nearby pay phone, pleading with a 911 operator. His sister is lying on top of his body, trying to stop him from injuring himself as his muscles twitch and his limbs flail against the concrete. River Phoenix has overdosed on a speedball of heroin and cocaine, and has only minutes to live.”

--From Gavin Edwards’ LAST NIGHT AT THE VIPER ROOM

Today, River Phoenix would be 43 years old. Following his triumphant performances in Stand by Me and My Own Private Idaho, and his Oscar-nominated work in Running on Empty, today he might also count Christian Slater’s role in Interview with the Vampire and Emile Hirsch’s turn as Cleve Jones in Milk among his successes. Instead, on October 31, 1993, River Phoenix died of a drug overdose in front of West Hollywood’s storied Viper Room at age 23, a tragic ending to a brilliant life and career.

 Now the new book from New York Times bestselling author and journalist Gavin Edwards,

LAST NIGHT AT THE VIPER ROOM: River Phoenix and the Hollywood He Left Behind (It Books; October 22, 2013; Hardcover; $24.99) – also available from HarperAudio and HarperCollins e-books – examines, like never before, this brilliant but complicated life cut short. Edwards gives a minute-by-minute account of the night River Phoenix died, while exploring the arc of the young star’s career and the lasting impact he made on Hollywood.

Full of interviews from River Phoenix’s fellow actors, directors, friends and family, LAST NIGHT AT THE VIPER ROOM shows the role Phoenix played in creating the place of the actor in our modern culture and the impact his work still makes today. Edwards drew upon the interviews River Phoenix conducted in his lifetime, new and old conversations with Phoenix's friends and colleagues, and previously unpublished material from his own interviews with luminaries ranging from Johnny Depp to Heart Phoenix (River's mother). His research took him from the Viper Room in Los Angeles to Amsterdam, where director George Sluizer granted him a private screening of Dark Blood, the long-unfinished movie that Phoenix had been in the middle of filming when he died.

A teenage River Phoenix took Hollywood by storm; when he was just 18 years old, he won an Oscar nomination for Running on Empty. Praised by his peers as the most talented actor of his generation, River came of age in the spotlight—a teen idol on the fast track to Hollywood royalty, a fervent defender of the environment, and a vocal proponent of veganism. But as the spotlight shone ever brighter on him, Phoenix succumbed to addiction, escaping into drink and drugs.

Uncovering parts of Phoenix’s past for the first time, Edwards looks deeply into his family’s commitment to the Children of God religious cult. Tracing the family’s travels from Madras, OR (his birthplace) to Caracas, Venezuela (where as a child, Phoenix had to busk for change so his family could eat) and to Gainesville, FL (where he spent his late teenage years), Edwards gives an in-depth look at the burdens Phoenix carried of supporting his impoverished family from a young age.

With never-before-seen insights into Phoenix’s brief but incandescent life, Edwards explores:

-          Why, when River died, it was generally assumed that he would become the “vegan James Dean”—a star even better remembered in death than in life, but why he faded in people’s memories instead (and why Montgomery Clift might be a better comparison to River than Dean)

-          The Children of God beliefs that young River grew up amidst—the Bible approved of adultery and incest, that children should be raised as sexual beings—and how his parents’ commitment to the religious lifestyle put a strain on River and all of his siblings

-          The 1,000 mile motorcycle trip Keanu Reeves took to deliver the treatment for My Own Private Idaho to Phoenix, when no one else would – and why the project was opposed by both actors’ agents, managers, and other handlers

-          River’s dangerous  preparations for My Own Private Idaho, including learning the tricks of the hustler trade by watching boys in the “Vaseline Alley” of Portland, even entering negotiations with johns, and experimenting with hard drugs 

-          Filming the three-way sex scene in My Own Private Idaho and why, with an ill-timed joke, Phoenix almost ruined it

-          The roles that would have been Phoenix’s in films that never came to fruition – like a Gun Van Sant film about Andy Warhol (for which Phoenix had already bleached his hair to play the artist) or a science-fiction project from John Boorman (British director of Point Break, Deliverance and Excalibur) called Broken Dreams – and the roles that went to others after he died, like Leonardo DiCaprio’s portrayal of Rimbaud in Total Eclipse

-          How and when the Viper Room became trendy, who its biggest regulars were, and why Johnny Depp lost interest in running the bar so quickly

-          How River lived on in song, through lyrics written by friends Michael Stipe and the Red Hot Chili Peppers, and others

Toggling between the tragic events at the Viper Room in West Hollywood on that fateful Halloween night in 1993 and the story of an extraordinary life,  LAST NIGHT AT THE VIPER ROOM is part biography, part cultural history of the 1990s—but, above all, is a celebration of River Phoenix, a Hollywood icon gone too soon.

Gavin Edwards is a contributing editor for Rolling Stone and has written for Details, Spin, and the New York Times Magazine. He is the author of six books including the New York Times bestseller VJ: The Unplugged Adventures of MTV’s First Wave, which he cowrote with the original MTV VJs. He lives in Los Angeles, CA with his wife and their two sons. Online: www.rulefortytwo.com
 
Purchase Last Night at The Viper Room here.

New Release: "A Charlie Brown Christmas: The Making of a Tradition" by Charles M. Shulz



A CHARLIE BROWN CHRISTMAS: THE MAKING OF A TRADITION (It Books; Hardcover; on sale October 22, 2013; $19.99) is the behind-the-scenes look at how “A Charlie Brown Christmas” became a Christmas classic in this lushly illustrated hardcover reissue, originally published in 2000.  In this stunning new edition, we learn how this heartwarming story became America’s most popular Christmas TV special of all-time.
In ”A Charlie Brown Christmas,” created by late cartoonist Charles M. Schulz, Charlie Brown disapproves of the over-commercialization and secularism of Christmas and serves to remind viewers of the true meaning of Christmas. This message strikes a chord with viewers each year, and the PEANUTS animated special has become a seasonal tradition, airing each December since 1965.   

A CHARLIE BROWN CHRISTMAS: THE MAKING OF A TRADITION also includes an introduction by the show’s executive producer, Lee Mendelson.  Along with the original animator, the late Bill Melendez, the two men share their personal memories about the Christmas special and Charles M. Schulz. Up until Schulz’s death in February 2000, the three of them worked on 50 PEANUTS network specials and four feature films.  

Since first airing in 1965, “A Charlie Brown Christmas” has been one of America’s most beloved television shows each year. For nearly 50 years, fans of all ages continue to tune in to the Emmy-winning Christmas special that has earned a permanent place in popular culture. This illustrated tribute to the beloved television classic includes: 

*      More than 200 full-color, original animation art

*      Vince Guaraldi’s original score and publication notes for “Christmastime is Here” and “Linus and Lucy”

*      Interviews with the original child actors who were the voices of the Peanuts gang

*      Trivia about the Peanuts gang

A CHARLIE BROWN CHRISTMAS is a fitting salute to Charles Schulz, the artist who forever changed the face of cartooning, which also celebrates the award-winning holiday special with warmhearted memories, fascinating trivia, and colorful art that will delight fans of all ages.
ABOUT CHARLES M. SCHULZ

Charles M. Schulz, the most popular cartoonist in the world with strips in 2,600 newspapers, retired in February 2000 and passed away the day of his final farewell Sunday Peanuts strip on February 13th. He lived in Santa Rosa, CA.
 
Purchase A Charlie Brown Christmas: The Making of a Tradition here.

Senin, 21 Oktober 2013

Halloween Interlude: "Frankenstein" (1931)


Look! It's moving. It's alive. It's alive... It's alive, it's moving, it's alive, it's alive, it's alive, it's alive, IT'S ALIVE!



"Friday the 13th: The Complete Collection" on Blu-ray

Like most long running horror franchises, the Friday the 13th series became tired as it went along. However, the first two entries were solid efforts and remain scary and watchable, some three decades later. Even later entries, including Jason Takes Manhattan, were fun to watch, at least for their sense of humor. Regardless of the quality of each film, I have to admit to watching all of them. Yes, even Jason X and Freddy vs. Jason. I am loyal if nothing else. Even though there is no Friday the 13th during the month of October this year, the films are perfect for viewing around Halloween.


Friday the 13th: The Complete Collection

Synopsis: The 10-disc collection includes the twelve films on nine Blu-ray discs, as well as a killer DVD bonus disc full of special features on the making of the famous franchise. The must-own set will be presented in a collectible tin case with 11 hours of previously released special features and a 40-page soft cover book. The book is excerpted from Crystal Lake Memories: The Complete History of Friday The 13th, a fan-favorite volume that’s viewed as the ultimate memoir of the series, and highlights some of the 200 interviews, 600 photos, storyboards, concept art and more. Also included is a brand new, official Camp Crystal Lake embroidered Counselor Patch.

Films in the Collection include:
· Disc 1 - Friday the 13th (1980)
· Disc 2 - Friday the 13th Part 2 (1981)
· Disc 3 - Friday the 13th Part 3 in 3D (1982)
· Disc 4 - Friday the 13th: The Final Chapter (1984) NEW TO BLU-RAY
· Disc 5 - Friday the 13th Part V: A New Beginning (1985) / Friday the 13th Part VI: Jason Lives (1986) NEW TO BLU-RAY
· Disc 6 - Friday the 13th Part VII: The New Blood (1988) / Friday the 13th Part VIII: Jason Takes Manhattan (1989) NEW TO BLU- RAY
· Disc 7 - Jason Goes to Hell: The Final Friday (1993) / Jason X (2002) NEW TO BLU-RAY
· Disc 8 - Freddy vs. Jason (2003)
· Disc 9 - Friday the 13th (2009) (Theatrical Version and “Killer Cut” Extended Version)
· Disc 10 – Killer Bonus DVD Disc

Special Features: Includes UltraViolet™ so you can enjoy the film on many different compatible devices.

Minggu, 20 Oktober 2013

Weekend Box Office Estimates for October 18-20, 2013: Horror and Sci-Fi Offerings Dominate


Horror and Sci-fi films captured three of the top ten spots at the weekend box office, including Gravity, which claimed the top spot for the third straight weekend and continues its impressive run. New entry Carrie, starring Chloe Grace Moretz, landed in third place, with an estimated $17 million, which was far below the $31 million take for Gravity. Another horror effort, Insidious Chapter 2, rounded out the top ten, with about $1.5 million. Insidious has grossed over $80 million during its six week run.

Two other new films, the action oriented Escape Plan and the drama The Fifth Estate, captured fifth and eight place, respectively, but both underperformed. On a more positive note, Cloudy with a Chance of Meatballs 2 cemented its hit status, earning over $10 million in its fourth weekend. The animated effort may pass the $100 million mark next weekend.


Here are the Top Ten Weekend films (numbers are in millions):

1. Gravity - $31.0 (Warner Bros.)

2. Captain Phillips - $17.3 (Sony/Columbia)

3. Carrie - $17.0 (Sony/Screen Gems)

4. Cloudy with a Chance of Meatballs 2 - $10.1 (Sony/Columbia)


5. Escape Plan - $9.8 (Lionsgate/Summit)

6. Prisoners- $2.1 (Warner Bros.)

7. Enough Said - $1.8 (Fox Searchlight)

8. The Fifth Estate - $1.7 (Disney/DreamWorks)

9. Runner Runner - $1.6 (Fox)

10. Insidious Chapter 2 - $1.5 (FilmDistrict)


MTV's "Teen Wolf" Renewed for a Fourth Season

 
Photo Credit: MTV
 
An early Halloween treat! The always entertaining Teen Wolf will return for a fourth season. The new episodes, 12 in all, will be accompanied by a weekly talk show, Wolf Watch, that will begin airing when the second half of the third season begins on January 6. In my opinion, any number of new episodes is a positive sign for the highly rated series. The fourth season is expected to air sometime later next year.

Sabtu, 19 Oktober 2013

Retro DVD Pick: "Abbott and Costello Meet The Killer, Boris Karloff" (1949)


Bud and Lou and Boris. Who could ask for anything more in a movie? Of course, the title is not exactly accurate and Karloff's role is rather diminished, but he shares a classic scene with Lou Costello when his character, Swami Talpur, tries to hypnotize Freddie Phelps, played by Costello. Who knew that it could be so difficult to hypnotize someone as simple minded as Freddie? Swami Talpur is driven to distraction at his failed attempts to have Freddie kill himself, but others want to get rid of Freddie as well because he has evidence that can solve a murder case, so they may have more success.

Abbott and Costello Meet The Killer, Boris Karloff finds Bud and Lou, as Casey Edwards and the aforementioned Freddie Phelps, respectively, working at a remote resort hotel. Casey is the hotel detective, while Freddie is a bellhop, at least until he insults and injures a guest, Amos Strickland (Nicholas Joy). Freddie threatens Amos after he is fired and when he later goes to apologize to him, Freddie finds that Strickland has been murdered and he, of course, is the chief suspect. With Casey's help, Freddie tries to clear his name, but when additional murders are committed and the bodies find their way into Freddie's hotel room, it looks like he is the culprit. However, the resourceful Freddie is determined to clear his name and works with Casey to hide the bodies and even dresses up as a maid to aid his cause (Costello is always a hoot when cross dressing). But, he has an uphill battle to fight because Strickland had many enemies and they all conspire to frame poor Freddie.

I realized it had been about a decade since I last watched Abbott and Costello Meet The Killer, Boris Karloff and I have seen the film many times over the years. While I recall the film as being one of the weaker entries in the Abbott and Costello film catalog, I was pleasantly surprised at how well it holds up and how the majority of the film is well constructed. My only real problem with the film is the silly special effects that are utilized when Freddie goes to meet the killer in the Lost Caverns. However, the film rebounds with an amusing final act. While not necessarily a horror film, Abbott and Costello Meet The Killer, Boris Karloff has enough elements to make it (sort of) qualify, thanks to Karloff, a series of murders, and the foreboding soundtrack.